My works respect the spirit of craftsmanship. Ceramic fabrics are my unique feature. During Covid,I studied the traditional thin shell porcelain technique and conducted creative experiments for 2 years. Finally,I invented a new product based on this traditional technique,

I fired the ceramics into about 0.3 mm sheets and combined them on the fabric. After the smashing the fabric, the crushed fabric had good flexibility. The weight of a ceramic long dress was about 2kg and about the weight of a leather coat.

At present, all the ceramic fabrics are made by me and my family. We have spent three years repeatedly studying the proportion of clay and glue, as well as the fire temperature control of various glaze colors. Each print has to go through at least three times of printing color debugging and firing. Countless firing, waiting, surprise and disappointment have become ingenuity retained in my clothes.

My work and regeneration themes:
innovation in textile and ceramic techniques:
I developed the Chinese ancient local handicraft of thin shell porcelain technology, and combined it with the garment fabric process to create a unique ceramic fabric that can be worn.

reflection in social and cultural matters
My work reflects the local traditional ceramic culture, showing the inclusiveness of fashion-the traditional ceramic workers and ceramic culture can also become very fashionable.
I want people to pay attention to the ceramic workers by wearing my ceramic dress understand our living environment and ceramic culture, and understand our craftsman spirit.

I am a ceramic worker and fashion designer. I was born in a small city called Jingdezhen, but it’s the world-famous porcelain capital with a ceramic history of thousands of years.