露营帐篷和吉尔吉斯斯坦的传统游牧毡房，在使用场景、内部构造和外观造型上高度类似。我们从现有装备和生活习惯的角度出发，为年轻家庭提供了短途旅行休憩的、具有民族特色的解决方案。通过调研我们得知，当地家庭在周末有前往郊外短途旅行和聚会的需求，并且也想有一个产品可以在满足方便出行的同时又保有民族传统毡房的元素与精神。
游牧毡房的天顶代表着宇宙星空，在帐篷的顶部我们也还原了这个元素。该帐篷使用气柱作为支撑结构，使用电动气泵充气，收纳后可轻松放入汽车后备箱。在搭建时也无需多人合力操作，充气可在几分钟内实现，相比传统毡房十几人长达几十分钟的繁琐搭建步骤显得非常迅速。在材质方面，采用透明TPU、网格布和牛津布材质叠合成多层门窗，并在篷布上加入反光条带，颜色采用大地色系，将游牧旷野风与未来科技感相互交融。致敬传统，对现代生活和出行方式产品进行了再设计。

Camping tents are highly similar to traditional nomadic yurts in Kyrgyzstan in terms of use scenarios, internal structure and exterior styling. From the perspective of existing equipment and living habits, we provide young families with short-distance travel and rest solutions with national characteristics. Through research, we know that local families have the need to go to the suburbs for short trips and gatherings on weekends, and also want to have a product that can meet the convenience of travel while maintaining the elements and spirit of the national traditional yurts.
The zenith of the nomadic yurt represents the starry sky of the universe, and we also restore this element at the top of the tent. The tent uses an air column as a support structure, uses an electric air pump to inflate, and can be easily put into the trunk of a car after storage. There is no need for multiple people to operate together during construction, and inflation can be realized within a few minutes. Compared with the tedious construction steps of more than ten people in the traditional yurts, it is very fast. In terms of material, transparent TPU, grid cloth and Oxford cloth are used to form multi-layer doors and windows, and reflective strips are added to the tarpaulin. The color is earth color, blending nomadic wilderness wind with future scientific and technological sense. Tribute to tradition, the modern way of life and travel products have been redesigned.

这个游牧风格充气露营帐篷的设计灵感来自于吉尔吉斯斯坦传统毡房的使用场景、内部构造和外观造型。设计灵感与元素均来自于我们在吉尔吉斯斯坦实地采风交流过程中的调研搜集。因此，我们赋予这个产品更多的使命——让它可以展现文化与传统工艺的魅力。
调研过程中，我们采访了解到当地家庭在周末有前往郊外短途旅行和聚会的需求。他们会同时使用传统毡房与现代工业产品的帐篷，并且也想有一个产品可以在满足方便出行的同时又保有民族传统毡房的元素与精神。
游牧毡房一个最重要的象征就是它的天顶，代表着宇宙星空和对自然的敬畏。在帐篷的顶部我们也特别还原了这个元素。在结构方面，我们使用可充气气柱作为支撑结构，并使用电动气泵充气。帐篷运输和使用上都十分简便，收纳后装入手提包即可轻松放入汽车后备箱。在搭建时也无需多人合力操作，展开后进行充气可在几分钟内实现，相比传统毡房十几人长达几十分钟的繁琐搭建步骤显得非常迅速。可以快速且简便地解决家庭在城市近郊短途出行的休憩问题。
在材质方面，采用透明TPU、网格布和牛津布材质叠合成多层门窗，并在篷布上加入反光条带，将游牧旷野风与未来科技感相互交融。帐篷颜色的选择来自游牧民族粗犷的自然风光，采用大地色系，以此传播吉尔吉斯斯坦文化的同时，也将游牧精神与当下中国社会的露营文化相契合。
帐篷产品的受众是热爱露营的年轻群体。我们打造了一个基于游牧文化的“吉尔吉斯斯坦制造”的品牌概念，这个帐篷是这个产品体系中的一个，品牌将吉尔吉斯斯坦的传统元素进行了现代化、年轻化的呈现，通过设计的力量，为当下中国流行的露营运动注入了一种新型的模式。

The design of this nomadic style inflatable camping tent is inspired by the use, internal structure and appearance of traditional yurts in Kyrgyzstan. The design inspiration and elements come from our research and collection in the process of field gathering and exchange in Kyrgyzstan. Therefore, we give this product more mission-so that it can show the charm of culture and traditional craftsmanship.
In the course of our research, we interviewed and learned that local families have the need to go to the suburbs for short trips and gatherings on weekends. They will use traditional yurts and tents of modern industrial products at the same time, and they also want to have a product that can satisfy the convenience of travel while maintaining the elements and spirit of the national traditional yurts.
One of the most important symbols of the nomadic yurt is its zenith, which represents the starry sky and reverence for nature. At the top of the tent we also specifically restored this element. In terms of structure, we use an inflatable air column as a support structure and use an electric air pump to inflate. The tent is very easy to transport and use. After storage, it can be easily put into the trunk of the car with a handbag. There is no need for multiple people to operate together during construction, and inflation after deployment can be realized within a few minutes, which is very fast compared with the tedious construction steps of more than a dozen people in traditional yurts for tens of minutes. It can quickly and easily solve the problem of family rest for short trips in the suburbs of the city.
In terms of material, transparent TPU, grid cloth and Oxford cloth are used to form multi-layer doors and windows, and reflective strips are added to the tarpaulin to blend nomadic wilderness wind with future scientific and technological sense. The color of the tent is chosen from the rough natural scenery of the nomadic people, and the earth color system is adopted to spread the Kyrgyz culture while also matching the nomadic spirit with the camping culture of the current Chinese society.
The audience of tent products is young people who love camping. We have created a brand concept of "made in Kyrgyzstan" based on nomadic culture. This tent is one of the product system. The brand presents the traditional elements of Kyrgyzstan in a modern and young way. Through the power of design, it has injected a new mode into the popular camping movement in China.

北京师范大学未来设计学院以一带一路国家设计走出去为契机，以游牧民族生活方式为灵感，融合当下中国社会的露营文化，设计团队经过调研，设计出一系列面向未来中国生活方式的优秀产品。

The School of Future Design of Beijing Normal University took the opportunity of the Belt and Road National Design to go global, inspired by the nomadic lifestyle, and integrated the camping culture of the current Chinese society. After research, the design team designed a series of excellent products for the future Chinese lifestyle.