本作品结合中国传统“四经绞罗”面料结构与现代数字化（参数化面料）技术，探索凉爽面料在时尚服装中的应用。通过采用天然纤维如亚麻，并利用传统打版方式优化设计，作品不仅保持传统文化的独特魅力，还在功能性和可持续性方面作出创新。运用3D软件进行纤维和面料结构的参数化建模，结合人体出汗分布图精准设计面料结构，旨在提供既环保又舒适的降温面料。通过这种传统与现代的结合，作品推动了中国传统工艺的传承与创新，并为全球时尚界提供了可持续发展的新视角。

This work combines the traditional Chinese "four-twisted" fabric structure with modern digital (parametric fabric) technology to explore the application of cool fabrics in fashion clothing. By using natural fibers such as flax and using traditional printing methods to optimize the design, the work not only maintains the unique charm of traditional culture, but also makes innovations in functionality and sustainability. The use of 3D software for parametric modeling of fiber and fabric structure, combined with the human body sweat distribution map to accurately design the fabric structure, designed to provide both environmentally friendly and comfortable cooling fabrics. Through this combination of tradition and modernity, the work promotes the inheritance and innovation of traditional Chinese crafts, and provides a new perspective of sustainable development for the global fashion industry.

我的创作实践致力于融合中国传统面料服装技法与服装现代数字化和参数化技术，推动具有文化内涵的可持续时尚。通过这种跨越时空的对话，我力图创造既能体现中国传统，又符合现代社会需求的创新作品。作品不仅在形式和功能上进行创新，更关注社会、环境和文化的多重维度，力求为未来时尚设计带来更广泛的影响。

我特别注重中国非物质文化遗产的传承与创新。我将中国传统的“四经绞罗”面料结构融入现代设计中。四经绞罗以其精妙的透气性广受推崇，而它所承载的文化历史和工艺技巧更是极具价值。通过现代数字化技术，我不仅恢复并创新了这一面料结构，还将其与天然纤维如亚麻结合，使之更具功能性和环保性，适应现代社会的时尚需求。这种将古老技艺与数字技术结合的方式，不仅赋予传统工艺新的生命力，也为时尚界提供了一种更加绿色、可持续的解决方案。经实验，此种面料在凉爽吸湿排汗方面优于普通面料。

此外，我还采用了中国传统打版方式，并对其进行了功能性优化。在传统打版基础上，我结合人体出汗分布图，通过数字化结构设计与打版方法，精确地将凉爽面料应用于出汗区域，优化服装的功能性与舒适度。通过这一传统工艺与现代技术相结合的设计方法，我能够在保留传统特色的同时，提升其适应现代生活方式的能力。

我的作品紧密契合当代中国社会对环保与可持续发展的追求。在设计过程中，我坚持选用天然纤维，以减少对合成材料的依赖，减少环境污染，推动可持续时尚的发展。通过数字化设计与打版，我优化了生产流程，降低了材料浪费与碳排放，符合中国绿色发展的战略目标。

通过文化与技术的融合，我的设计不仅传承了中国的文化遗产，更为全球时尚界提供了具有中国特色的可持续设计范例。作品既关注社会和环境的需求，也力求推动中国设计在全球时尚舞台上的独特声音。

My creative practice is committed to the integration of traditional Chinese fabric clothing techniques and clothing modern digital and parametric technology, to promote sustainable fashion with cultural connotations. Through this dialogue across time and space, I try to create innovative works that not only reflect Chinese tradition, but also meet the needs of modern society. The work not only innovates in form and function, but also pays more attention to the multiple dimensions of society, environment and culture, and strives to bring a broader impact on future fashion design.

I pay special attention to the inheritance and innovation of China's intangible cultural heritage. I incorporate the traditional Chinese fabric structure of "four-twisted" into modern design. The four-way wring is widely admired for its exquisite breathability, and the cultural history and craftsmanship it carries are of great value. Through modern digital technology, I have not only restored and innovated this fabric structure, but also combined it with natural fibers such as linen to make it more functional and environmentally friendly, and adapt to the fashion needs of modern society. This way of combining ancient techniques with digital technology not only gives new vitality to traditional crafts, but also provides a more green and sustainable solution for the fashion industry. Through experiments, this kind of fabric is better than ordinary fabric in cool moisture wicking.

In addition, I also adopted the traditional Chinese printing method and optimized its functionality. On the basis of traditional printing, I combine the human body sweat distribution map, through digital structure design and printing method, accurately apply cool fabrics to sweat area, optimize the functionality and comfort of clothing. Through this design method of combining traditional technology with modern technology, I can improve my ability to adapt to modern life style while retaining traditional characteristics.

My work is closely in line with the pursuit of environmental protection and sustainable development in contemporary Chinese society. In the design process, I insist on the use of natural fibers to reduce the dependence on synthetic materials, reduce environmental pollution, and promote the development of sustainable fashion. Through digital design and printing, I have optimized the production process, reduced material waste and carbon emissions, in line with China's strategic goal of green development.

Through the integration of culture and technology, my design not only inherits China's cultural heritage, but also provides a sustainable design example with Chinese characteristics for the global fashion industry. The work not only focuses on the needs of society and the environment, but also strives to promote the unique voice of Chinese design on the global fashion stage.

毕业于伦敦艺术大学伦敦时装学院，获得创新服装生产硕士学位（杰出）及服装设计与发展学士学位（一等荣誉）。擅长可持续发展、天然面料运用及服装创新跨界，致力于为时尚设计注入环保，文化属性与功能性并存的新理念。擅长融合科技与文化元素，为面料与服装赋予全新的活力与生命力。通过将传统工艺与现代数字化技术相结合，探索并创造兼具文化底蕴、功能性与现代美学的创新作品。

Graduated from the London College of Fashion, University of the Arts London with a Master's degree in Innovative Clothing Production (Distinguished) and a Bachelor's degree in Fashion Design and Development (First Class Honours). Good at sustainable development, the use of natural fabrics and clothing innovation cross-border, committed to fashion design into environmental protection, cultural attributes and functional coexistence of new ideas. Good at integrating technology and cultural elements, giving new vitality and vitality to fabrics and clothing. By combining traditional technology with modern digital technology, we explore and create innovative works with cultural heritage, functionality and modern aesthetics.