在这个项目中，我通过全彩3d打印技术实现黎族织锦的传承与创新，使亟待保护的黎族文化在科技与数字化的时代重生。这组面料可以在不同的角度下呈现不同的颜色变化，具有互动性。

In this project, I realize the inheritance and innovation of Li brocade through full-color 3D printing technology, so that the Li culture that needs to be protected is reborn in the era of technology and digitization. This group of fabrics can present different color changes at different angles, which is interactive.

在这组作品中，我对黎族传统图案的视觉表达进行了重新诠释，通过将高科技与黎锦图案相结合，赋予传统黎族文化新的生命力。黎族是中国南方的少数民族之一，主要生活在海南省。黎族织锦被称为纺织业的“活化石”。黎锦在2009年被联合国教科文组织列为急需保护的非物质文化遗产名录。因为黎族没有独立的文字体系，在黎族文化中，黎锦是一种无声的语言。黎锦的图案和颜色传达了黎族的历史与变迁。黎锦图案体现了黎族妇女的审美意识，生活风貌，文化习俗，宗教信仰等，是黎族文化的重要载体。它仿佛是一副历史画卷，讲述着黎族祖先的信仰和对自然的热爱。
我希望通过创新设计与技术使黎锦走向世界舞台，我将黎锦图案进行改造后，通过3d建模视觉化，然后进行了一系列3d打印面料实验。为了让这一系列面料可以实现在不同角度有不同颜色变化的效果，我反复修改模型的结构然后测试样品,从而实现最好的效果。

In this group of works, I reinterpret the visual expression of the traditional patterns of the Li nationality, and give new vitality to the traditional Li culture by combining high technology with Li brocade patterns. Li is one of the ethnic minorities in southern China, mainly living in Hainan Province. The Li brocade is known as the "living fossil" of the textile industry ". In 2009, Li Jin was listed by UNESCO as an intangible cultural heritage in urgent need of protection. Because the Li nationality does not have an independent writing system, Li brocade is a silent language in the Li culture. The patterns and colors of the Li brocade convey the history and changes of the Li people. Li brocade patterns reflect Li women's aesthetic consciousness, life style, cultural customs, religious beliefs, etc., is an important carrier of Li culture. It is like a historical picture, telling the Li ancestral beliefs and love of nature.
I hope to make Li Jin go to the world stage through innovative design and technology. After transforming Li Jin's pattern, I visualized it through 3D modeling, and then carried out a series of experiments on 3D printing fabrics. In order to make this series of fabrics can achieve the effect of different color changes at different angles, I repeatedly modify the structure of the model and then test the sample, so as to achieve the best effect.

我是一名纺织品设计师，获得了英国皇家艺术学院纺织品设计专业的硕士学位，主修综合材料方向。我有丰富的原创设计实践经验，始终保持创新钻研精神，我个人的原创项目涉及可持续设计，非遗文化传承与创新，疗愈设计等主题。

I am a textile designer with a master's degree in textile design from the Royal College of Art, majoring in integrated materials. I have rich practical experience in original design and always maintain the spirit of innovation and research. My personal original projects involve sustainable design, intangible cultural heritage and innovation, healing design and other themes.