Cover
Remodeling
In the ruins of civilization, the blue butterfly, as the messenger of the revival of civilization, symbolizes rebirth and hope. Dancing in the gloom, it activates the memory of the seal and reproduces its former glory through the activation of the mysterious box, emphasizing the persistence and fragility of civilization. This is not only a recollection of past glory, but also an exploration of future possibilities. Through the interaction of light and shadow and sculpture, we can awaken the memory of the years and show the harmonious coexistence of nature and civilization.
Picture show
Picture show
The REMODELING-SLOWDOWN STUDIO
In the ruins of civilization, the blue butterfly, as the messenger of the revival of civilization, symbolizes rebirth and hope. Dancing in the gloom, it activates the memory of the seal and reproduces its former glory through the activation of the mysterious box, emphasizing the persistence and fragility of civilization. This is not only a recollection of past glory, but also an exploration of future possibilities. Through the interaction of light and shadow and sculpture, we can awaken the memory of the years and show the harmonious coexistence of nature and civilization.
This creative practice takes the regeneration of civilization memory as the core, and constructs a narrative system with Oriental philosophical speculation through visual symbols. The image of the blue butterfly in the short film is born out of the virtual and real view of "Zhuangzhoumeng Butterfly" in traditional Chinese culture, and its wing scales adopt the gradual tone of the blue glaze of the Ru kiln in the Song Dynasty, which not only symbolize the fragility of the fragments of civilization, but also coincides with the cultural inheritance logic of "green from blue. The ruins scene draws on the visual genes of the Yuanmingyuan site. The geometric forms of the broken columns and mysterious squares are derived from the shape evolution of Liangzhu jade cong, and form a dialogue mechanism across time and space through deconstruction and reorganization. The design of the memory activation device is inspired by the fusion of ancient armillary sphere and contemporary quantum computer, and the interweaving of cloud and thunder patterns and binary code etched on its surface implies that the deciphering of civilized codes requires both traditional wisdom and modern rationality. In the design of light and shadow, the method of "changing scenery by step" in Suzhou gardens is used to reconstruct the picture of civilization between the collapsed dome structure and the butterfly wing projection, which echoes the creation law of "the sky is sometimes, the earth is gas, the material is beautiful, and the work is skillful" in Kao Gong Ji. Through the symbiotic relationship between butterflies and squares, the work reflects the proposition of heritage protection and innovative development faced by contemporary China in the process of urbanization-just like the nonlinear trajectory of butterfly wing vibration in the short film, the continuation of civilization requires not only the activation of resilience in cultural genes, but also the reconstruction of memory carriers in the digital age. This creative path, which combines utensils aesthetics with ecological wisdom, forms intertextuality with the concept of "creative transformation" promoted by China at present, and builds a bridge between ancient civilization and future imagination in virtual images.
We are students from Dalian 869 design school, love design, like to do interesting things
