一份主观视角的博物馆展品指南，从 “我 ”到第三人称中变换多种视角，记录并重塑和反映我对物品的自我认同。

A subjective guide to museum exhibits, transforming multiple perspectives from the "I" to the third person, recording and reshaping and reflecting my self-identification with objects.

作为一名来自中国的年轻平面设计师，在伦敦生活了超过我人生四分之一的时间后，我重新考虑了自己的文化认同身份。当我每次走进博物馆看到有关中国的文物，我总是很自然地感受到亲切却未曾探究过这份感受来源于什么。当我下定决心选择这对青花瓷烛台来做为研究项目的开始，我发觉历史变得鲜活，原来东西文化相互的影响从未停下脚步。于是我决定从主观视角记录下我这一次的思路历程并做成一份指南分享给其他参观者，换一些角度让自己对中国的文化社会更活络地展现在眼前。

As a young graphic designer from China, I reconsidered my cultural identity after living in London for more than a 1/4 of my life. Every time I walk into the museum and see cultural relics about China, I always feel the kindness naturally, but I have never explored the source of this feeling. When I made up my mind to choose this pair of blue and white porcelain candlesticks as the beginning of my research project, I found that history had become alive and that the mutual influence between East and West cultures had never stopped. Therefore, I decided to record my thinking process from a subjective perspective and make a guide to share with other visitors, so as to change some angles to show myself more vividly to China's cultural society.

英国皇家艺术学院研究型硕士应届毕业生，本科毕业于伦敦艺术大学平面设计专业。我最近的研究主要研究博物馆策展和批判性博物馆研究。

A graduate of the Royal College of Art in the UK, with a bachelor's degree in graphic design from the University of the Arts London. My recent research has focused on museum curation and critical museum studies.