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Professional / Visual, Communication, and Interactive Design

History of Pickup Porcelain

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Shortlisted
Medium or Format: [Cover] Material: Special Paper; [Title Page] Material: Special Paper; [Text] Material: Special Paper; [Special Book] Cover: Special Paper, Monochrome Printing Text: Special Paper, Monochrome Printing
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Dimensions and/or Technical Information: [whole book binding] special packing: foot binding, punching and manual cotton thread; [Cover] Process: bronzing, single-sided printing, folding and crimping; [Text] Process: Four-color printing, printing oil and crimping; [Special Book] Binding: Horse Ri
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"History of Picked-Up Porcelain" Book Shadow Figure -1

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"The History of Picked Porcelain" Book Shadow Figure -2

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"The History of Picked-up Porcelain" Book Shadow Figure -3

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"History of Picked Porcelain" Book Shadow Figure -4

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"History of Picked Porcelain" Book Shadow Figure -5

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"Picked up the history of porcelain" related creative materials

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Short Description of Work

The design of this book takes ceramic fragments of different shapes as the core graphics and design clues, takes the regional style and image of the porcelain pieces as the style, and makes the climbing book mouth show the historical layer accumulation by the binding method of manual thread packing, conveying the unique cultural connotation and book characteristics.
The book uses 10 pieces of porcelain to represent ten important nodes in the history of Chinese porcelain development, and uses this to unfold the story of porcelain history. The porcelain pieces and porcelain shapes of a specific period are abstracted into simple outline symbols throughout the process, which are used to convey the meaning in form, see the whole picture from the part, and present unique culture, history and craftsmanship on the macro level. The cover paper is a special paper of natural gray porcelain mud color, soft with grain texture, such as soil to mud to porcelain undergo fire and time tempering. The many conversations between the designer and the author during the design process have also been recorded as other books attached to the book, so that readers have a deeper understanding of the book.

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Tell us about your creative practice, and how your work engages with Chinese design, society, environment or culture.

His personal outstanding achievements have been reported by many top professional publications at home and abroad, such as "GRAPHIS POSTER ANNUAL", "IDEA", "Decoration", "Art and Design", "Packaging and Design" and "Design Capital. Named "Chinese Design 100" by Southern Newspaper Group, "13 Famous Contemporary Chinese Book Designers" by Japanese "IDEA" magazine, "Creative Person of the Year" by Shenzhen "Creative December", and "New Sight" magazine named "Shenzhen Top Ten Creative People", "Dawan District Excellent Original Designer" by Zhuhai Design Week, "Advanced Worker" and "Pengcheng Outstanding Talent Award" by Shenzhen Government "Many honors. In 2021, he was awarded the "UDA Medal of Excellence" by the UDA International United Design Alliance.

So far, it has won more than 200 design awards at home and abroad, including the German Red Dot Award "Best of the best" award, the American Printing Award Banny Gold Award, the National Book Design Exhibition Gold Award and Silver Award, China's "Most Beautiful Book" award, "GDC Graphic Design in China" Silver Award and Excellence Award, and the American Mohawk Show Grand Award; he has been invited to participate in top international competitions and invitation exhibitions such as Britain, Germany, the United States, Japan, Finland and Poland for many times, and his design works have been collected by museums in many countries. In 2008, as one of the representatives of Chinese designers, he was invited to participate in the "Creative China" exhibition of the British V & A Museum. In recent years, he has also served as the judge of important competitions and awards at home and abroad, such as "South Korea International Poster Exhibition", "Chinese Elements International Advertising Award", "AAC Art China", "Forbes Youth Artist TOP100" and so on, as well as the curator of "GDC Graphic Design in China", "National Book Design Art Exhibition", "Beautiful Books: Chinese Book Design Exhibition", "Shenzhen (Pingshan) International Sculpture Exhibition" Painting Life International Illustration Exhibition. In 2021, he served as the curator of China Design Exhibition and Public Art Special Exhibition.

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Han Zhanning
Shenzhen

Famous designer, curator, Secretary General of Crane Lake Think Tank. He is currently the founder and creative group director of Shenzhen Asia Copper Design Consulting Co., Ltd., deputy secretary-general of the Book Design Art Committee of China Publishing Association, visiting researcher of the Palace Museum, consultant of Shenzhen Graphic Design Association, and secretary-general of Hewu Think Tank.

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