作品材料经过很多次的木头筛选，如桃木、香樟木和枣木等，到最后雷击枣木的演变。
用雷击枣木作为椅面的材料，更加坚固耐用、提供更好的支撑力，保证作为艺术家具的功能性；
椅背选用形状像肺叶的香樟木片，其独特的干裂和虫洞纹理体现木材的瑕疵美。
之后的系列产品都可以由客户个性化选择各种各样喜欢的木片作为椅子主体。

The material of the work has been screened by many times of wood, such as peach wood, camphor wood and jujube wood, and finally the evolution of lightning strike jujube wood.
The use of lightning struck jujube wood as the material of the chair surface is more durable, provides better support, and ensures the functionality of artistic furniture;
The back of the chair is made of camphor wood chips shaped like lung leaves, and its unique chapped and wormhole texture reflects the flawed beauty of the wood.
After the series of products can be personalized by the customer to choose a variety of favorite wood as the main body of the chair.

椅子的设计围绕材料本身展开，椅面及椅背的木材主要来源于因处理较困难而被工厂放弃加工的树木的根部。树木根部的直径是一定的，面积均保持在每片是20x20cm的方形左右，因此整体椅子的尺寸、比例通过设计都是最适宜的数据。其次对于构成椅子主体的木材，上面的瑕疵如：裂纹、虫眼、结疤等也是整体美感的一部分。椅面木材的选用都是来源于同一棵树的跟部，其天然纹理是对称的，四块木材相互呼应；另外椅背的木材同样也是镜像对称，都是精心挑选的最能体现椅子美感的最佳选择。旨在制作一款加工可标准化的艺术家具，美感大于其实用性，通过对难以加工的边角料树木根部部分与金属框架结合、模块化木材与设计的金属接件结合的巧妙设计，让人们意识到废弃材料也有更大的可能性。

The design of the chair revolves around the material itself, and the wood of the chair surface and back mainly comes from the roots of trees that have been abandoned by the factory due to the difficulty of processing. The diameter of the root of the tree is certain, and the area is kept at about 20x 20cm square per piece, so the size and proportion of the overall chair are the most suitable data through design. Secondly, for the wood that constitutes the main body of the chair, the flaws on it, such as cracks, insect eyes, scarring, etc., are also part of the overall aesthetic feeling. The selection of wood for the chair surface comes from the heel of the same tree, its natural texture is symmetrical, and the four pieces of wood echo each other; in addition, the wood for the back of the chair is also mirror symmetrical, which is carefully selected to best reflect the beauty of the chair. The best choice. The aim is to make a standardized artistic furniture, which is more beautiful than practical. Through the ingenious design of the combination of the root part of the difficult-to-process leftover trees and the metal frame, and the combination of modular wood and designed metal fittings, people are aware of the greater possibility of waste materials.

本团队是来自中国上海市的上海视觉艺术学院大三的三位学生陈茗慧；李佳宸；沈烁组成

The team is composed of Chen Minghui, three junior students of Shanghai Institute of Visual Arts from Shanghai, China. Li Jiachen; Shen Shuo