王順瑜的藝術項目書《蕊，是半永久》的設計說明：
基於去年的香港茶畫展項目《蕊，是半永久》，王順瑜出版了香港植動物的文本/圈像研究與個體經驗，本書用精裝書的框架來表達這個嚴肅的課題，但是剖析拆解其外殼下又是柔軟與感性的布帶，本來精裝書就會有這樣的結構來固定封面與書頁，半裸露也半永久。打結與解接的裝幀儀式，同時呼應打包書與打包花的動作，布帶上的內容是喃喃吶吶的手稿和筆記；封面尤如給香港花的賀卡；裸裝的內頁用了不同的三款紙張來表達文本、靈感、過程、作品每一階段的不同身心感受下的美學外觀和質感；整齊的錯落的內文/圖片排版的同樣是藝術家理性與感性碰撞的藝術表達。

基於上次的香港茶項目，王順瑜出版了圍繞著植物、個人經驗與歷史文獻的書籍。這些內容看似散漫地被藝術家雜糅在一齊，形成了曖昧如耳語般的文字。

Wang Shunyu's art project book "Rui, is semi-permanent" design instructions:
Based on last year's Hong Kong Tea Painting Exhibition project "Rui, Semi-permanent", Wang Shunyu published the text/circle image research and individual experience of Hong Kong's planted animals. This book uses the framework of a hardcover book to express this serious topic, but it is analyzed and disassembled with soft and perceptual cloth tapes under its shell. Originally, hardcover books would have such a structure to fix the cover and pages, semi-naked and semi-permanent. The binding ceremony of tying knots and untying echoes the actions of packing books and flowers. The contents of the cloth belt are the manuscripts and notes of murmuring. The cover is especially like a greeting card for Hong Kong flowers. The inner page of the naked outfit uses three different types of paper to express the aesthetic appearance and texture of the text, inspiration, process and different physical and mental feelings at each stage of the work; the neatly scattered text/picture typesetting is also the artistic expression of the artist's sense and sensibility.

Based on the last Hong Kong tea project, Wang published books around plants, personal experiences and historical documents. These contents seem to be mixed together by artists, forming ambiguous words like whispers.

文化:對於外人來說，個人化的移民經驗與被淹沒在香港歷史長河中的文獻可能是神秘且不可知的。進入到順瑜書寫這類文本背後的故事,去了解與窺探，隱藏在書本背後的那些晦暗且曖昧的事。
社会环境:用设计的手法转化和表达香港植動物的文本/圈像研究與個體經驗，本書用精裝書的框架來表達這個嚴肅的課題，但是剖析拆解其外殼下又是柔軟與感性的布帶，本來精裝書就會有這樣的結構來固定封面與書頁，半裸露也半永久。打結與解接的裝幀儀式，同時呼應打包書與打包花的動作，布帶上的內容是喃喃吶吶的手稿和筆記；封面尤如給香港花的賀卡；裸裝的內頁用了不同的三款紙張來表達文本、靈感、過程、作品每一階段的不同身心感受下的美學外觀和質感；整齊的錯落的內文/圖片排版的同樣是藝術家理性與感性碰撞的藝術表達。

Culture: For outsiders, the personal experience of immigrants and the documents submerged in Hong Kong's long history can be mysterious and unknowable. Enter the stories behind Shun Yu's writing of such texts to understand and spy on the dark and ambiguous things hidden behind the books.
Social environment: use design methods to transform and express the text/circle image research and individual experience of animals planted in Hong Kong. This book uses the framework of hardcover books to express this serious topic, but it analyzes and disassembles the soft and perceptual cloth tape under its shell. Originally, hardcover books would have such a structure to fix the cover and pages, semi-naked and semi-permanent. The binding ceremony of tying knots and untying echoes the actions of packing books and flowers. The contents of the cloth belt are the manuscripts and notes of murmuring. The cover is especially like a greeting card for Hong Kong flowers. The inner page of the naked outfit uses three different types of paper to express the aesthetic appearance and texture of the text, inspiration, process and different physical and mental feelings at each stage of the work; the neatly scattered text/picture typesetting is also the artistic expression of the artist's sense and sensibility.

把设计揉成纸団

Knead the design into paper