我们通常把精致的珠宝形容为高级首饰，那么对于其他精致的东西，我们又该如何形容呢？

首饰工艺作为首饰中非常重要的一部分，决定了首饰成为精美装饰品的条件。当我用珠宝工艺制作一些生活中常见的物品时，这些精致的工艺会给这些物品带来什么？对物品的特性有什么影响？

一个漂亮的漏勺、一双贵金属鞋底的帆布鞋、一个永不消失的咖啡拉花，当这些物品的功能被珠宝取代时，有的达到了我所追求的平衡，而有的则带来了强烈的冲突感。

因此，通过技术的转换和材料的替代，我在思考珠宝的可能性的同时，也在探索手工艺的意义和价值。

We usually describe exquisite jewelry as high-end jewelry, so how do we describe other exquisite things?

As a very important part of jewelry, jewelry technology determines the conditions for jewelry to become exquisite decorations. When I use jewelry crafts to make some common items in my life, what will these exquisite crafts bring to these items? What is the impact on the characteristics of the items?

A beautiful colander, a pair of canvas shoes with precious metal soles, and a coffee flower that never disappears. When the functions of these items are replaced by jewelry, some achieve the balance I seek, while others bring a strong sense of conflict.

Therefore, through the transformation of technology and the substitution of materials, while thinking about the possibility of jewelry, I am also exploring the meaning and value of handicrafts.

我的创作来源于我在本科四年学习的几门传统珠宝工艺，如錾刻、花丝、珐琅，这些工艺可以用于制作一些非常精致的装饰性极强的工艺品以及珠宝首饰。
但这些工艺都需要耗费大量的时间，现在一些珠宝工厂可以通过建模、铸造，快速的制作一些粗糙的复制品，作为消费者他们也无法分辨这些是真正的非遗工艺还是工厂制作。
这些非遗工艺成了一个用来增加消费的标签，人们对其中的制作过程，工艺理念不再关心，只在意其装饰价值。
我觉得这些工艺应该被人们所熟知，当这些工艺出现在生活中的方方面面时，人们会对其产生兴趣并主动了解，是一个很好的宣扬传统中国工艺的渠道。

My creation comes from several traditional jewelry crafts that I studied during my four years as an undergraduate, such as chisel carving, filamentation, and enamel. These crafts can be used to make some very delicate and highly decorative crafts and jewelry.
However, these processes take a lot of time. Now some jewelry factories can quickly make some rough copies through modeling and casting. As consumers, they cannot tell whether these are real intangible cultural heritage processes or factory-made ones.
These intangible cultural heritage technology has become a label used to increase consumption. People no longer care about the production process and technology concept, but only care about its decorative value.
I think these crafts should be well known by people. When these crafts appear in all aspects of life, people will be interested in them and actively understand them. It is a good channel to promote traditional Chinese crafts.

2023年毕业于中国地质大学（武汉）产品设计珠宝首饰方向，目前就读于英国皇家艺术学院，研究方向主要为功能性与装饰性，传统手工艺的价值。

He graduated from China University of Geosciences (Wuhan) in 2023 in the direction of product design and jewelry. He is currently studying at the Royal College of Art. His research direction is mainly functional and decorative, and the value of traditional handicrafts.