“Two Sides of One Coin: Reflections and Transformations” is based on the Qing Dynasty’s painting Shi Yi Shi Er and skillfully connects the subtle metaphors, either figurative or abstract, between contemporary artworks and the ancient painting. Starting from art, searching for art that corresponds to it, and returning from one origin to another, is the original intention of the exhibition’s conception. By layering and intertwining different typefaces, I aim to create an effect that is both ancient and contemporary.

“Two Sides of One Coin: Reflections and Transformations” is based on the Qing Dynasty's painting Shi Yi Shi Er and skillfully connects the subtle metaphors, either figurative or abstract, between contemporary artworks and the ancient painting. Starting from art, searching for art that corresponds to it, and returning from one origin to another, is the original intention of the exhibition's conception. By layering and intertwining different typefaces, I aim to create an effect that is both ancient and contemporary.

The exhibition dismantles the philosophical propositions embedded in Shi Yi Shi Er, taking on the one hand the transformation and borrowing of its ancient aesthetic images in the context of contemporary art - even if these correspondences are coincidental and facilitated by the artist’s inadvertent state of consciousness; on the other hand, the aura of the ancient paintings seems to serve as a reference for reflection on the shortcomings brought about by the acute development and lack of ultimate meaning in the process of modernization, which is also a common theme in the creations of the artists selected for the exhibition and worldwide.

The exhibition dismantles the philosophical propositions embedded in Shi Yi Shi Er, taking on the one hand the transformation and borrowing of its ancient aesthetic images in the context of contemporary art - even if these correspondences are coincidental and facilitated by the artist's inadvertent state of consciousness; on the other hand, the aura of the ancient paintings seems to serve as a reference for reflection on the shortcomings brought about by the acute development and lack of ultimate meaning in the process of modernization, which is also a common theme in the creations of the artists selected for the exhibition and worldwide.

Pangolin 是一家基于传统的实验设计工作室，为艺术展览、商业品牌和新闻出版物提供综合设计服务。Pangolin 作为一个激进工匠，提供具有回归基础美学的设计解决方案，强调设计的批判性、相关性、独特性和完整性

Pangolin is a tradition-based experimental design studio that provides integrated design services for art exhibitions, commercial brands, and news publications. Pangolin as a radical craftsman, providing design solutions with a return to a foundational aesthetic that emphasizes the criticality, relevance, uniqueness and integrity of the design.