岭南画派纪念馆是莫伯治和何镜堂两位院士在上世纪80年代末共同设计的作品，在中国建筑发展史上具有标志性的地位 ，现已被列入第六批广州市保护建筑。经历过多年的运营和使用，纪念馆面临建筑物老化，配套设施不健全，负一层空间潮湿等使用功能方面的问题。其次，为适应新时代的发展，岭南画派纪念馆的定位也需要改变，把当初仅作为收藏和学术交流的功能的校内美术馆的功能向外拓展，把城市和大众纳入纪念馆的发展中。
纪念馆改造方案通过调整建筑的主要流线，把主入口从校内的北侧调整至南侧的昌岗东路上，原先建筑和昌岗东路之间的覆土被挖开，并改造为一个倾斜的下沉城市景观，让负一层建筑在下沉广场上对城市完全敞开，解决了采光通风问题的同时也增加了建筑的公共性，使负一层成为纪念馆的主入口和公共空间。方案利用地形高差增设无障碍坡道，改造内部各层空间，馆内增设电梯，展柜和洗手间。北侧荷花池增设汀步、奇石、叠水。在附楼首层增设专业典藏库。总而言之，该方案深度勾连人与建筑、环境、文脉的关系，重新阐释纪念性在当代所蕴含的意义。

The Lingnan School of Painting Memorial Hall is a work jointly designed by two academicians Mo Bozhi and He Jingtang in the late 1980 s. It has a landmark position in the history of Chinese architectural development and has been included in the sixth batch of protected buildings in Guangzhou. After years of operation and use, the memorial is faced with the problems of aging buildings, imperfect supporting facilities, and damp space on the negative floor. Secondly, in order to adapt to the development of the new era, the positioning of the Lingnan School of Painting Memorial Hall also needs to be changed. The function of the on-campus art museum, which was only used as a function of collection and academic exchange, is expanded outward, and the city and the public are included in the development of the memorial.
The renovation plan of the memorial hall adjusts the main entrance from the north side of the school to the south side of Changgang East Road by adjusting the main flow line of the building. The covering earth between the original building and Changgang East Road is excavated and transformed into a sloping sinking urban landscape, which makes the negative one-story building completely open to the city on the sinking square, thus solving the problem of lighting and ventilation and increasing the publicity of the building, make the negative first floor the main entrance and public space of the memorial. The plan uses the terrain elevation difference to add barrier-free ramps, transform the internal space of each floor, and add elevators, showcases and toilets in the museum. The lotus pond on the north side is equipped with Tingbu, Kistler and stacked water. Add a professional collection library on the first floor of the annex building. In a word, the scheme deeply connects the relationship between people and architecture, environment and context, and reinterprets the significance of memorial in contemporary times.

岭南画派纪念馆的建筑改造与环境提升项目，着眼于建筑与场地、城市和人的深度关系，通过新的定位及设计，探索出一种符合时代需求的“新纪念性”。这一新纪念性的核心思想是通过身体的体验展现建筑的公共性、在地性和具身性，突破传统视觉主义的局限。通过建筑空间的流线和形态调整，纪念馆在与社会、历史及人类深刻互动中，重新塑造了其文化和社会功能。
改造方案利用地形的高差，将建筑流线巧妙嵌入其中，创造了多样化的空间体验，鼓励学生、老师及城市居民在此流连、休憩、思考或开展文化活动。方案特别注重建筑的公共性与功能性之间的平衡，保留了历史建筑的特质，并赋予其更广泛的社会角色，使纪念馆从单纯的艺术展示场所转变为一个连接社区、促进文化共享和社会参与的重要平台。蜿蜒的路径、变化的景观和光线、丰富的材料运用，都营造出从城市喧嚣到内心平静的转换体验。这些设计细节不仅丰富了空间的层次感，也让建筑与人之间产生了更深刻的情感联结。通过身体的活动与精神的反思，纪念馆的空间从传统的视觉性纪念逐渐转向多维的体验式纪念，建筑不再仅仅是形式的表达，而是成为了人们情感与精神交汇的载体。
此外，改造方案不仅延续了岭南画派的传统艺术精髓，也融入了当代设计的需求。建筑与地方文化、历史的关系得到强化，纪念馆成为了一个在地性和时代性并存的文化场所。这一设计推动了建筑功能和公共性的拓展，使纪念馆在文化传播、社区建设和社会共享方面发挥了更大作用。岭南画派纪念馆的改造，体现了建筑作为文化载体和社会互动空间的双重价值。通过精心的空间规划和设计，它不仅回应了社会和文化的变革需求，也成为现代社会中连接传统与未来、艺术与大众、文化与日常生活的纽带。这个项目突破了视觉纪念的界限，通过人与建筑的深度互动，赋予了纪念馆更为丰富和多样的意义，成为岭南文化与现代设计的成功结合体。

The architectural renovation and environmental improvement project of the Lingnan Painting School Memorial Hall focuses on the in-depth relationship between the building and the site, the city and people, and explores a "new memorial" that meets the needs of the times through new positioning and design ". The core idea of this new memorial is to show the public, local and physical nature of architecture through physical experience, breaking through the limitations of traditional visualism. Through the streamlined and morphological adjustment of the architectural space, the memorial has reshaped its cultural and social functions in the profound interaction with society, history and human beings.
The transformation scheme uses the height difference of the terrain to skillfully embed the architectural streamline, creating a diversified spatial experience, encouraging students, teachers and urban residents to linger, rest, think or carry out cultural activities here. The program pays special attention to the balance between the publicity and functionality of the building, retains the characteristics of historical buildings, and gives them a broader social role, transforming the memorial from a simple art exhibition place to a connecting community, promoting cultural sharing and An important platform for social participation. The winding path, the changing landscape and light, and the rich use of materials all create a transformative experience from the hustle and bustle of the city to inner peace. These design details not only enrich the sense of hierarchy of space, but also create a deeper emotional connection between architecture and people. Through physical activities and spiritual reflection, the space of the memorial has gradually shifted from traditional visual commemoration to multi-dimensional experiential commemoration. Architecture is no longer just an expression of form, but a carrier of people's emotion and spirit.
In addition, the transformation scheme not only continues the traditional artistic essence of Lingnan School, but also integrates the needs of contemporary design. The relationship between architecture and local culture and history has been strengthened, and the memorial hall has become a cultural place where the locality and the times coexist. This design promotes the expansion of architectural function and publicity, and makes the memorial play a greater role in cultural communication, community construction and social sharing. The renovation of Lingnan School Memorial Hall reflects the dual value of architecture as a cultural carrier and social interaction space. Through careful spatial planning and design, it not only responds to the needs of social and cultural change, but also becomes the link between tradition and future, art and mass, culture and daily life in modern society. This project breaks through the boundaries of visual memorial. Through the deep interaction between people and architecture, it gives the memorial a richer and diverse meaning, and becomes a successful combination of Lingnan culture and modern design.

广州美术学院湾区创新学院院长、教授，英国剑桥大学博士，英国皇家注册建筑师，广州美术学院国际交流处处长，广东省美协艺术设计委员会秘书长，建筑学高级工程师，广州美术学院学术委员会委员，英国伯明翰城市大学等海外院校博士生导师。曾任《世界建筑》等中文核心期刊海外编辑，中国中建设计集团有限公司副总建筑师，完成多项国内外实践项目，获得全国优秀工程勘察设计银质奖、广东省优秀工程设计一等奖及多项国际竞赛奖项等。

Dean and Professor of the Bay Area Innovation School of Guangzhou Academy of Fine Arts, Doctor of Cambridge University, British Royal Registered Architect, Director of International Exchange Office of Guangzhou Academy of Fine Arts, Secretary-General of Art Design Committee of Guangdong Artists Association, Senior Engineer of Architecture, Guangzhou Academy of Fine Arts Member of Academic Committee, PhD supervisor of Birmingham City University and other overseas universities. He used to be an overseas editor of Chinese core journals such as "World Architecture", deputy chief architect of China Construction Design Group Co., Ltd., completed a number of domestic and foreign practical projects, and won the National Excellent Engineering Survey and Design Silver Award and the Guangdong Province Excellent Engineering Design First Prize And a number of international competition awards.