250221-see Hagi x "world peace" Xiangyun yarn capsule series_drawing board 1 copy 10
250221-see Hagi x "world peace" Xiangyun yarn capsule series_drawing board 1 copy 9
250221-see Hagi x "world peace" Xiangyun yarn capsule series_drawing board 1 copy 8
250221-see Hagi x "world peace" Xiangyun yarn capsule series_drawing board 1 copy
2021.12.05_See Qiu Shaokang Series Theme
In the Southern Song Dynasty, Li Song's "Skull Fantasy Play Picture" broke through the traditional auspicious symbol system with rare skull images, and inspired the designer Gao Shaokang to create a series of works of "the world is at peace"-hundreds of skeletons reconstructed from auspicious patterns, gazing at the various forms of the world between birth and death. This subversive fusion not only inherits the Oriental philosophy of "the picture must have meaning", but also deconstructs the multidimensional interpretation of the concept of life with banter.
As a national non-heritage fragrant cloud yarn activation pioneer, see the cross-border will be the plane art to the dimension of clothing design. The series takes the Sui and Tang costumes as the inspiration source, and breaks through the age and gender boundaries of traditional Xiangyun yarn by improving the collar system and neutral profile. During the one-year research and development, the design team made a contemporary interpretation of the cool and soft fabric characteristics, which not only retained the essence of 1700-year-old silk technology, but also incorporated sporty tailoring and modern aesthetic balance.
This dialogue between traditional symbols and avant-garde design not only realizes the creative transformation of intangible cultural heritage skills, but also takes "Chinese fabrics, world design" as the core, and constructs a new context of national style that runs through ancient and modern times. When the skeleton figure jumps to the texture of fragrant cloud gauze, the image of life and death and the current philosophy are circulating in the clothes, completing the contemporary confession of Chinese aesthetics.
Drawing inspiration from Li Song's Southern Song painting “Skull Illusion”, which uses a rare skull motif to break traditional auspicious symbols, designer Hong ko created the “peacefool world” series-a hundred skull masks reimagined from auspicious patterns that capture life's vicissitudes between existence and illusion. This fusion embraces the Eastern notion that every image holds meaning while humorously deconstructing multi-dimensional views of life.
As a pioneer in revitalizing the national intangible heritage gambiered Guangdong gauze, Jancho elevates flat art to fashion in this crossover venture. The collection, inspired by Sui and Tang attire, refines collar designs and adopts an androgynous silhouette, transcending traditional age and gender limitations. Over a year of development, the design team reinterpreted the crisp yet soft texture of the fabric, preserving the 1700-year-old Langchou craftsmanship while integrating sporty tailoring and modern aesthetics.
This dialogue between traditional symbols and avant-garde design not only transforms heritage techniques but also, with “Chinese fabric, world design” as its core, establishes a new national aesthetic bridging past and present. When the skull masks come alive on the gambiered Guangdong gauze, life and death intertwine with contemporary philosophy, embodying modern Chinese aesthetics.
In the Southern Song Dynasty, Li Song's "Skull Fantasy Play Picture" broke through the traditional auspicious symbol system with rare skull images, and inspired the designer Gao Shaokang to create a series of works of "the world is at peace"-hundreds of skeletons reconstructed from auspicious patterns, gazing at the various forms of the world between birth and death. This subversive fusion not only inherits the Oriental philosophy of "the picture must have meaning", but also deconstructs the multidimensional interpretation of the concept of life with banter.
As a national non-heritage fragrant cloud yarn activation pioneer, see the cross-border will be the plane art to the dimension of clothing design. The series takes the Sui and Tang costumes as the inspiration source, and breaks through the age and gender boundaries of traditional Xiangyun yarn by improving the collar system and neutral profile. During the one-year research and development, the design team made a contemporary interpretation of the cool and soft fabric characteristics, which not only retained the essence of 1700-year-old silk technology, but also incorporated sporty tailoring and modern aesthetic balance.
This dialogue between traditional symbols and avant-garde design not only realizes the creative transformation of intangible cultural heritage skills, but also takes "Chinese fabrics, world design" as the core, and constructs a new context of national style that runs through ancient and modern times. When the skeleton figure jumps to the texture of fragrant cloud gauze, the image of life and death and the current philosophy are circulating in the clothes, completing the contemporary confession of Chinese aesthetics.
In response to the dilemma of non-genetic inheritance, the 1700-year-old Xiangyun yarn is adapted to modern aesthetics through design transformation. Solve the problem of traditional fabric heavy feeling, the use of laser hollow technology to enhance permeability.
Jin Liugao Design is a well-known Hong Kong design company established in 1976. It is operated by Dr. Jin Daiqiang, Mr. Liu Xiaokang and Mr. Gao Shaokang. Three generations of people work together to inherit creativity. Formerly known as Jin and Liu design consultants, after nearly 50 years of development, now has companies in Hong Kong and Shenzhen, with business all over the world. The company has designed more than 500 logo images, served more than 600 listed companies and industry leaders, and won more than 800 top awards in the world. In recent years, the company focused on food, beverage, health, service more than 5 billion yuan of large single products.
